Thursday, June 7, 2012

Get Me My Sword, The Fight is On!

Last week my daughter struggled with some new math problems. In trying to help her, I pulled out the math manipulatives, talked through a couple of strategies, and worked through some of the problems with her. For some reason, she didn't want to use any of them. She was frustrated but refused to take any of the simple advice I'd given. The homework session drew out three times as long as it needed to. When I ran out of ideas she got mad at me for not solving her problem. That's when I pointed out that she'd created the problem by not accepting the simple strategies and that she could have finished her homework quickly if she had. In the end, she got over her stubbornness and found taking the simple route worked best.

I couldn't help but think, from this situation, of times I'd been stubborn in regards to some simple point of writing, querying, or publishing. I also knew other writers who behaved exactly as my daughter did, by asking a question and then belligerently refusing to accept the answer. We all get that way sometimes. We don't want to switch the way we're climbing the mountain for another path, even if it's easier. We fixate on stupid, little things. We don't want to start over, rewrite, or change a bad habit.

Writing and publishing isn't a stagnate process, it requires growth and change. It's the journey that counts, right? We will encounter new ways of doing things since industry standards alter all the time. Digging in our heels and griping at other people won't solve anything. Blaming someone else for our petty vices only spouts hot air. For example: So we grew up with typing two spaces between sentences and now everyone's saying use only one. It takes less time to train yourself to the new model than it does to write a tirade about it.

A few years ago a beta reader pointed out a problem in one of my manuscripts. Critiques often sting but this particular piece of advice rankled for some reason. I thought he was daft in not recognizing and understanding all my carefully crafted clues (I know, unreasonable idiotic moment on my part.) I shrugged his comment off and continued with my revisions. The story later went through a couple of other beta readers, who pointed out other problems. In fixing those I found I needed to do a major reconstruct on the entire story and by so doing, realized that first beta reader's bothersome comment was actually brilliant. He had shown me the door to a major reconstruct I didn't know I needed until later. I wish now I had taken the time to really think about his comment before. I could have saved myself substantial time and trouble.

Despite all the advice to develop a tough skin and be professional, we writers are usually the opposite. We pout, take tantrums, cry, mock, brag, debate, laugh, and do crazy things. (The smart ones keep these reactions private.) Our first instinct is to pull up our defenses and charge at a supposed threat. We prance up on a huge black horse, armor spiky and shiny, countenance fierce, and in our loudest and scariest voice challenge the rock in our path. We can yell, stab, stomp, and threaten all we want, that rock isn't going away or changing shape.

When something hits us hard, step away from it. Calm down. Sleep on it. Take time to think about it from every angle. Instead of assuming someone’s out to get you, consider the possibility that they want to help you or that a particular method might work better. It may take hours or years to accept it. I’m not saying that all advice is right or that you need to do whatever anyone tells you to do. Don’t blow on your battle horn and try to mass raging hordes to your cause. Fickle creatures, those raging hordes. They’re more likely to raise an eyebrow and ask “What’s the big deal?” when you issue the call. Why? Because you’re declaring war on all uses of the word “was” OR Sans Serif vs. Times New Roman OR “I need twelve pages of backstory in the beginning of the manuscript so the reader understands where my heroine is coming from.” Petty vices.

What insignificant things have you gotten hung up on in the past or might be struggling with right now?

Tuesday, June 5, 2012

Interview with Precy Larkins, Newly Represented!

My Photo
Precy Larkins is a mother by day, a dreamer by night, and a writer in between. She grew up in the Philippines, a country steeped in superstitions and rumors of enchanted beings roaming the woods. She now lives in Utah, where she occasionally hunts for fairies, with her husband and three kids. When she’s not teaching her preschooler how to tie his shoelaces, she writes stories that transport her to unexplored places. Precy maintains a blog and a Twitter account, where her friends know her affectionately by her nickname, Cherie. Her Young Adult Contemporary Fantasy novel, HIDDEN, is a story of a girl battling demons in her head only to find out they are real. With dark magick and soul-suckers on the loose, and a boy who can’t be trusted, she must use her visions to survive the world hidden beyond her own.

J.A.: How long have you been writing? What are your favorite genres to write?

P.L.: The first time I penned a book-length novel was four years ago. I’ve been writing on and off since—short stories, unfinished mss, and my current ms that got me my agent. I usually stay within the speculative fiction genre, specifically fantasy and paranormal. Oh, and I write YA and MG. I’m too much of a kid at heart to indulge in Adult Fiction all the time.

J.A.: What are your favorite genres to read? Which books have had the greatest impact on you?

P.L. While I do read books that are in the genre I write, I have a more diverse taste when it comes to reading. A memoir that won’t let me put the book down? Bring it on! Nonfiction science books with quirky humor? Yes, please! I also love to read horror and thrillers.

I can’t say there was ONE specific book that had the greatest impact on me as a person, or me as a writer. I’ve always loved reading, and it’s really a culmination of my reading experiences—the emotions I felt, the stories I cherished, and the truths I discovered through books all affected me in many ways.

J.A.: Aside from writing, what do you love to do?

P.L.: I love to draw. And play games with my family (board games, card games, even video games.)

J.A.: What can you tell us about your new agent and the process of signing on with her?

P.L.: My lovely and fabulous agent is Ms. Julia A. Weber of J. A. Weber Literaturagentur GmbH. She’s based in Germany and the UK, but she takes clients from the US as well. I absolutely adore her. Because she lives in a different continent, we’ve subsisted on an email correspondence. Oh, and Twitter, too. It took her 4 days to offer me rep—yes, she was THAT fast! The day I sent her my query, she asked for a partial within two hours. The next day, she emailed me asking for the full. Three days later, my heart stopped when I saw her email that started with: It is my pleasure to tell you…

After much squeeing and running around, muttering, “What do I do? What do I do next?”, I emailed my soon-to-be-published friend Bethany Crandell and basically yelled at her to help me! She responded quickly with very helpful info and a list of questions reserved for when you get The Call. Only in my case, it was The Email. So I asked the questions, and my agent got back to me promptly with excellent answers. Then I had to ask for time to notify the other agents I’ve already queried, or had my full submissions.

Ten days later, I was giddy when I sent Ms. Weber an email telling her I accept her offer of representation. It’s been great since.

J.A.: May we see your agent-winning query letter?

P.L.: Sure! It’s not perfect, but it got the job done. :)

Sixteen-year-old Layla Cadwell is losing her mind. Again.

The first time she lost it, she nearly drowned reaching for the blue lady she saw in the river. Years later, branded Freak Extraordinaire by her peers, Layla’s learned to keep her visions to herself. But when her father dies in her arms, murdered by a soul-sucking shadow-witch, Layla lands a stint in the psych ward. Because there’s no such thing as monsters, see.

After too many kumbaya-inducing meds, the memory of her father’s death becomes fuzzy. Mom, fearing Layla’s relapse on the upcoming death anniversary, takes the family to a distant town for the summer. But despite the relocation and anti-psychotic pills, Layla sees monstrous creatures prowling the woods nearby, and the blue water lady reappears to haunt her—this time begging for help.

As the visions intensify, Layla uses them to unearth the town’s secret of hidden people enchanting the woods. The phantom blue lady turns out to be her great-grandmother, whose soul’s been trapped in the shadow-witch’s dark magick. The same witch who killed her dad for revenge. And Layla is next in line. It’s a family feud, paranormal-style.

Or…maybe it’s all in her mind. But the local hottie believes Layla, though his trustworthiness factor is down to zero. Rumor has it he turned his exes loony-bin mad with just a kiss. Major relationship killer, right? When his eyes shift to resemble the witch’s gold-rimmed ones, Layla knows he’s trouble, though her heart tells her otherwise.

As the witch closes in, Layla must trust her visions to survive the world hidden beyond her own. A YA Contemporary Fantasy, HIDDEN is complete at 76,000 words.

J.A.: How long did you query before finding your agent? 

P.L.: About 6 weeks. Hidden is the first book I’ve ever queried. I was prepared for the long haul of querying, so imagine my surprise at landing my agent so quickly. I sent out about 40 queries in all. When I started querying at the end of March, most agents were coming back from the Bologna Book Fair so I only sent out a few, mostly to test my query (which was still in its early stage). Lots of waiting ensued. In the meantime, I worked and reworked my query with the help of friends and critique from a writing forum, Agent Query Connect. Anytime someone would tell me it was great, I would send out a few. My first two responses were form rejections, but the third one was a full request.

I didn’t stop working on my query. My gut told me it wasn’t quite right yet.  I also had to deal with spam issues—some of my query emails did not go through when I sent them. I knew this because I was supposed to get an auto-reply from the agent’s email, but never did. This is why you’ll need to do your research. Some agent websites will specify that they have an auto-responder. If you don’t get an auto-reply letting you know your email went through, then try again.

I queried intermittently throughout the month of April and the first week of May. My agent, Ms. Weber, got back to me so fast that some of the agents I had newly queried didn’t even have time to see my original query. A lot of them missed the notices I sent out about getting an offer of representation (so I ended up with emails long after the deadline from agents saying they were sorry they missed the opportunity). So here are my stats (I finally got it figured out):

40 queries sent
3 fulls requested before my agent offered representation (including my agent)
6 more fulls requested after I sent out notices of offer of rep
12 no response
5 passes because they saw the notices too late
14 query rejections


It’s true, you know. It only takes one to love your work.

J.A.: What advice would you give to those who are actively querying or getting ready to query?

P.L.: I’ve already mentioned some tips in my previous answer. But here they are again, plus a few more:

~Do your research when querying agents. Know their submission guidelines and follow them.
~Keep on working on your query. There’s always going to be room for improvement.
~Watch out for spam filter issues. This goes hand in hand with researching your agents. Some websites will let you know that they have an auto-response system in place. Others will tell you their turnaround time, and if you don’t get a response as soon as that time is up, most likely your query email went down Spamtown. So go send your query again.
~Another great way to track down the queries you’ve sent is to use Query Tracker. Some of the QT members will post their stats, and from that info, you can see where the agent is at with the slushpile. Just don’t get too obsessive. There’s no hard-and-fast rule with how agents sort their query pile.
~This goes without saying, but I’ll say it anyway: BE POLITE. ALWAYS. If you get rejections, please do NOT take it personally. Just take a deep breath and move on. It’s not the end of the world.
~ Be very, very patient. Querying takes time. Agents are people, too, and they have busy, busy lives. Like you.
~Query widely. People have different tastes. Just because one agent didn’t care for your concept doesn’t mean another one out there won’t care for it either. You won’t know until you take the plunge. Be brave.


J.A.: What have you learned from writing and querying that you didn’t know before?

P.L.: That no matter how you prep yourself for querying and putting your work out there, that no matter how much you tell yourself you’re a big girl and can take the rejections with a smile, you will fail. You will be sad when you see that form rejection. You will squeal and dance around when you get a request. Your heart will beat so hard you’ll think you’re on the verge of a cardiac arrest when you send out that first full manuscript submission. You will worry and bite your nails as you refresh your email every ten seconds. You won’t be able to help feeling all these emotions. Even when you tell yourself again and again that you would never do all of these things.

J.A.: How important were your beta readers/critique partners?

P.L.: Very important! (Shout out to A. M. Supinger, my crit partner!) I valued their feedback, but at the same time, I also kept my vision for my book in check. Their comments made me think. Their critiques made me see my work in a different angle—something I would never have seen by myself. It also helps to have them proofread and spot my typos.

J.A.: What are you most excited to experience in the whole agenting process?

P.L.: My agent asked me in an early “getting-to-know-you” email what I expected from an author-agent relationship, which is a fantastic question, by the way. I think it’s good to know what our expectations are and to voice them out so that there is an understanding between the two parties. My answer was this: I view it as partnership. There has to be communication on both sides. It’s almost like a marriage, I guess. You have to trust each other, trust that they will work on their end while you work on your end.

Ms. Weber has been nothing but amazing! She’s excellent with communicating what she needs from me or what are the things I should know. She’s always open to questions and encourages me to voice out whatever concerns I have. At the same time, we’ve developed this camaraderie over Twitter—so much fun! This relationship has gotten off to a very good start, and I’m excited to embark on this collaboration with her. You see, having an agent represent you is not a short-term deal. We’re in it for the long haul. So it’s very important you find someone you can work with easily because you’re not only going to be dealing with them with one project, but your lifelong career of writing and future books as well.

Thank you, Precy. (I have to get used to calling you that now!) Some of us don't think much about looking for an agent overseas and it's good to know there are agents who take submissions for the U.S. Your story has evolved since I last saw it and it sounds great! We're wishing you a lot of luck as you start this next phase in your writing career. And for anyone reading this interview, definitely check out Precy's blog. She's in my spotlighted blog list and she's a very sweet person. Get to know her.

Tuesday, May 29, 2012

Genre Identified #6: Historical Speculative Fiction

A historical speculative fiction novel takes place in an actual period of Earth's history and can be historical fantasy, historical science-fiction, historical paranormal, historical horror, etc. So you can take Speculative Fiction back to the stone age, ancient times, medieval times, clear up to near modern times. Characters and conflicts may be fictional or actual historical figures, as long as the setting and basic world building are in a familiar time period.
Many works written in olden times are now often classified under the "historical" speculative fiction stamp, even though at that time, they were the equivalent of say - urban fantasy, contemporary science-fiction, or horror. Tales such as Dracula, Frankenstein, The Adventures of Sherlock Holmes, 20,000 Leagues Under the Sea, etc.

One recently popular branch of historical speculative fiction is Steampunk, taking place in Victorian times with science-fiction elements to it, and in some cases, also paranormal. Steampunk also is within the fringe of Alternate History.

Another historical spec fiction favorite are Arthurian Fantasies which retell the legend of King Arthur and Camelot in a distinctive time period.

Yet another is the Gothic novel: "a traditional form depicting the encroachment of the Middle Ages upon the 18th century Enlightenment, filled with images of decay and ruin, and episodes of imprisonment and persecution." (The 2009 Guide To Literary Agents)

For further reference:
Goodreads Popular Historical Fantasy Novels list
Goodreads Historical Paranormal Romance list
Library Journal's Steampunk: 20 Core Titles
Steampunk.com: What is Steampunk?
The Gothic Novel
A list of Arthurian Fiction by the Syosset Public Library

Thursday, May 24, 2012

The Subtle Antagonist

The most commonly known and used trope to set up conflict is man vs. man. We use another person (or creature as the case may be) to fight against our protagonist and give us a story worth reading. And I think we've all scoffed a bit when that antagonist gets too cheesy or isn't strong enough to put up much of a fight. We've all secretly thrilled, adored, or hated a strong villain. Villains make stories go round.

You don't have to use a man vs. man conflict in a speculative story, though. It's usually the first thing we writers think of. "I need a bad guy." But in truth, maybe we'll have a stronger story if we don't have someone bagged and tagged as the villain of the piece.

We can use man vs. nature or man vs. the establishment as a more subtle antagonist. Anything from the clock ticking during or before a natural disaster to a restrictive society that the protagonist must rebel against. I've read some good stories that use subtle antagonists, usually in science-fiction, but also in the occasional fantasy or dystopian work.

Identifying what the main conflict of the story needs to be is a great way to determine if you need a poster child bad guy or a subtle antagonist. And in some cases, you can use both to keep the conflict flowing. Every scene doesn't need to be the protagonist vs. the antagonist (embodied). Maybe the human antagonist has set in motion a sub-conflict that uses a subtle antagonist. Or maybe you've started out with that restrictive society subtle antagonist and the further in your protag gets, the societal movement gets a face in a political leader, peace officer, or socialite.

Having a subtle antagonist propelling the main conflict is a bit freeing in some ways. There's no character development to be done with a natural disaster or plague of killer frogs. This opens up word space real estate to dive in deep into the protagonist and any secondary or tertiary characters. We can explore their darker sides even, where the line of friend and foe blur a bit as normal human reactions override goodwill and intentions.

What books have you read that use a subtle antagonist as the main conflict? Are you writing a story that uses a subtle antagonist? What do you think about mixing the two?

Tuesday, May 22, 2012

Linkage Catch-Up

Normally I try to do something like this on an occasional Saturday, but let's face it, it's the growing season and all my spare time is spent outside in battle trying to reclaim my yard from the weeds the landlord let go rampant everywhere. So let's play a little catch-up on some of the really good blog links that have recently come out. And hey, if you've run across a really good one I didn't spot, mention it in the comments.

Let's start with some new agent alerts from GLA:
Jennifer Azantian, now at Sandra Dijkstra Literary Agency: "Jennifer is only interested in: young adult science fiction and fantasy (including all of their subgenres)."

Okay then, here's a fresh new agent for all of you writing speculative fiction from the YA POV.

Sarah Joy Freese, now at Wordserve Literary: "Christian romance, Christian historical romance, Christian suspense, and paranormal romance...I am looking for full-length fiction, 65,000-100,000 words in either the general or Christian market."

So if you are writing paranormal romance with a Christian bent, you might want to check her out.

Sara Sciuto, now at Full Circle Literary: "Sara is actively building her list with a focus on middle grade and young adult, in particular, dystopian, science fiction, fantasy, and unique paranormal. She also enjoys contemporary stories with a strong, authentic voice (but no chick-lit, please). She has a particular soft spot for anything in the Deep South (sweet contemporary to dark paranormal), gritty contemporary, utilitarian dystopias or dystopian thrillers, anything with international locales or period settings (think flappers or “Mad Men”), and anything with artistic themes. Sara is also looking for standout picture books, especially those with a quirky or humorous narrative. She’s also considering select nonfiction in the areas of craft, design, how-to, lifestyle, and pop culture. Currently, she is NOT considering any adult fiction (all genres)."

Again, here's one for the YA/MG writing crowd.

Andrew Wetzel, now at Martin Literary Management: "Speaking of my tastes, the areas I’d most like to carve out for myself with Martin Literary Management would be ‘Literary with a capital L’ fiction (think Eugenides, Houellebecq, Murakami, Cormac McCarthy, Martin Amis) as well as the dark corner of the literary list that is slightly less pretentious and slightly more commercial (think Palahniuk, Bret Easton Ellis, Dennis Johnson). That’s a very ‘male’ list and it is definitely where my personal tastes lie. I love a great story but style is just as important to me sometimes. I’m also very interested in reading Young Adult novels, specifically those with a macabre sensibility or a fascinating dystopian or fantasy setting."

Promising for many speculative fiction writers whether writing to adults or YA.

And now onto some good blogpost links:
Write to Express, Not To Impress by Bernadette Pajer
Confusion is Not the Same as Mystery by Mary Kole
The Real Beginning by Mary Kole
Fridays With Agent Kristin: Episode 7 - What is a Plot Catalyst?
The Criteron for Evaluating an Agent by Kristin Nelson
7 Bad Habits of Successful Writers by Rachelle Gardner
Quality Books Take Time by Rachelle Gardner
Contracts by Anne Elliot (The contract between writer and reader)
Something Old, Something New by Sophie Masson
Going Deeper: A Process Rather Than a Technique by Robin LaFevers
How NOT to write a series, OR, Don't put all your eggs in one basket by Jennifer Laughran
ProTips for Published Authors Pt.1: Website Tips by Jennifer Laughran
ProTips for Published Authors Pt. 2: The Bookstore Event by Jennifer Laughran
April Offers--FAQs by Vickie Motter
May Conferences: Prep Work by Vickie Motter
May Conferences: Etiquette by Vickie Motter
Checking References by Sarah LaPolla
Start Your Story: a post from TBA Intern Y on The Bent Agency blog
It's in the details, writers! by Alan Rinzler
Writers Wednesday: An Authors Greatest Tools by E.M. LaBonte
The Five Stages of Query Revisions by Riley Redgate
What Are You Looking for in an Agent? by Jami Gold
Cliffhangers: Not Just for the End of a Book by Jami Gold
Thinking about first person by Patricia C.Wrede
What Kind of Skeleton by Patricia C. Wrede (Plot structure)

I think if I do more your eyes will glaze over. What's listed should fill any spare blog reading time.