Today's guest blogpost comes from Eli Ashpence, author and fellow Speculative Fiction Group Member. She is the author of Genocide to Genesis:
"Eighty years after World War Three, the immortal Val is one of the few who lives long enough to see the modern world of science crumble into a medieval world of magic."
"The world can change in a matter of minutes. No one knows this better than Val, a life-sucking immortal who wanders the world in search of amusements. The latest, in a city twisted by fallout, is the role of "Vampire Val, Private Detective." But no diversion is lasting enough when the Earth itself incites a massive apocalypse - one that Val has to live through and, possibly, learn from."
Without further ado:
"Eighty years after World War Three, the immortal Val is one of the few who lives long enough to see the modern world of science crumble into a medieval world of magic."
"The world can change in a matter of minutes. No one knows this better than Val, a life-sucking immortal who wanders the world in search of amusements. The latest, in a city twisted by fallout, is the role of "Vampire Val, Private Detective." But no diversion is lasting enough when the Earth itself incites a massive apocalypse - one that Val has to live through and, possibly, learn from."
Without further ado:
"Adding
Genre without Switching Genre" might sound simple on the surface. It's a little romance in your fantasy or a
little erotica in your horror. It's a
little mystery in your sci-fi and a little crime in your paranormal. But where does an author draw the line? How can you stop your
Alternate-History/Dystopia from turning into a mess of A.History/ Dystopia/
Inspirational/ LGBT?
I'll try to answer this with the
experience I've gained from crossing that line.
First, and foremost, you must decide on a primary and secondary
genre. Planners usually decide this
during their outline phase. Pantsters
(those that write by the seat of their pants) should have some idea by chapter
3.
You'd be surprised—or maybe not—at how
many writers don't decide their genre until they're ready to query an agent or
publisher. I know I didn't think of it
until after I wrote my first novel. I
just wanted to see what would happen next with Character X in Setting Y.
However, it makes everything easier when this “little detail” is written in
stone.
Mostly, knowing your primary and
secondary genres ahead of time will allow you to better recognize when you're
deviating. And THAT allows you to pick
and choose which genres will benefit the story rather than distracting from it.
(This is also why you only list your
primary and secondary in your query letter.
You don't want agents and publishers to think your writing lacks focus.)
This is where you say, “Get to the
point! How do you add genre without
switching your genre?”
I'm assuming you already know what
genre you want to add. And, for that,
there are two *main* methods to consider.
Those are:
1.
Ommission: I'm not trying to punk
you. This IS an option. Try to explain the story (to yourself) with
the extra genre thrown in. If it's
overload when you try to explain it, then it'll be overload when you write
it. So, don't write it. Pick two genres (primary and secondary) and
stick with them. This method is usually
suited for planners that can stick to an outline.
2.
Side Stories: Whatever tertiary
genres you pick to add to your story should be relegated to side stories. This will keep your main genre clear by
keeping your main plot-line clear. I
believe this method is suited for pansters that don't bother writing
outlines. As an added bonus, side
stories are easier to edit out than trying to remove details integrated into
the core plot.
Of course, no one method is 'one size
fits all'. If it were, this would be a
rather short post and Clipper would hide my cookies.
Other options to add genre:
3.
Contrivances:
Every story has minor items/things
that don't quite fit, but aren't genre-breaking. For example, a magic mirror in a
sci-fi/horror, or a jet pack in an erotica/romance, or buying a magic charm in
a mystery/western. These are good for
adding the flavor of a different genre without adding the entire genre. Sometimes, this is all an author needs to
soothe the craving for 'more'.
4.
Settings: Dream
settings are the most commonly used to add another genre. However, there are also paintings, books
within the world, and distant lands/planets/amusement parks that can be
mentioned in passing. Again, sometimes
the mention is enough.
And that's it! Did you expect something else? Maybe you thought I was going to come in here and list fifty ways for
you to salvage your horror/crime/urban fantasy/romance? How about just one?
5.
Simplifying Fractions:
(Horror/Crime*urban fantasy/romance = Crime/Urban Fantasy) Make
sense? It's important to know the
expectations within genres. No matter
how horrific crime becomes, it's still crime.
And most fantasies (of any type) include some kind of romance. The important part is to identify what genre
is most inclusive to all aspects of your novel. Everything else is just
gravy.
Although.... too much gravy can make you sick. ^_^
Further Reading:
Wikipedia's Genre List: http://en.wikipedia.org/wiki/List_of_genres
Very true! :D
ReplyDeleteYep. Well said. Most genres include a little bit of another area. You have to keep from crossing that line into too much.
ReplyDelete